My middle school daughter has announced that her new favorite president is Calvin Coolidge. I do not believe it is due to his business-first approach to the Roaring Twenties. My daughter, herself a girl of few words, admires “Silent Cal” for his terseness. Would that this quality were shared by more people, in more arenas.
Instead, ubiquity and volume appear to be the chief attributes of words these days. The dictates of our respective markets call on us to be prolific, even beyond our abilities. “Content!” screams the machine, with little regard for its fodder’s taste or nutritional value. Book writers must create and re-create their sequels, at ever-increasing length. Nonfiction publishing houses feel the urge to flood the market in response to major events — within four to six months. Politicians must debate into the double digits, not because more debates are better, but because each niche, be it geographic, demographic, or ideological, demands its own morsel.
In consumer- or popular-culture, this is merely burdensome, as I choose between TMZ or PopSugar. But in public life it matters.
While many attitudes toward politics have shifted in various ways over the last decades, at least one thing has remained constant. Citizens feel less and less able to find relevant information. They report that they “can’t find out” what various candidates think about issues that matter to them. But how can this be? They’re talking so much, after all, what about all those debates?
The problem is that increasingly much of what is said is, civically speaking, junk food — devoid of nutrition. As the content-machine requires more and more, the ratio of junk to nutrition decreases. It becomes harder and harder for people to find out what they need and want to know. Yes, it’s out there. Just buried, or hidden in plain sight.
No great revelation: It’s a cycle that feeds on itself. More outlets need more material with which to fill their maws.
Creating “content” has become a job in its own right. This is in itself a capitulation. We need to reclaim lost ground, at least when it comes to the public square. Writers must see themselves as contributing to important discourse, not creating a product that may later get “re-purposed.” Politicians and pundits must have something to say, not simply a need to speak. The organizations that serve all this “content” up to eager viewers, listeners, and users must return to the now-quaint view of themselves as leaders with a duty to enrich the public square and not starve its soil.
It’s exactly who we have deposed whom we can most use long about now: editors.
A friend of mine, an editor at a newspaper, once told me that the role of an editor is to find out what the reader ought to know, and get them to want to know it. This, of course, seems anathema to the radically democratized world of information in which we now live. I can imagine the comments now, accusing me of being league with MSM. Indeed, I myself am, as a “blogger,” the beneficiary of today’s lowered barrier of entry into the “public voice” market. So I say this knowing I am pointing a finger at myself.
Yet it is this old-fashioned approach that we need in order to reduce the signal-to-noise ratio. So many new and useful voices have entered the public square (many on this site), at the same time as so much static. The lost role of editor can help me find quality, and help bring meaning back into public life.
In fact, the role of editor is needed not just in the news business, but throughout public life. We need people with backbone who will say no, put on the brakes, shoot down dumb ideas, and generally be grown-ups.
Looking around, there are so few grown-ups on the scene.
One of the Silent Cal anecdotes that had my daughter laughing out loud involves a dinner party. It is said that a young woman (in some tellings it is Dorothy Parker) found herself seated next to Coolidge. “I bet my husband,” she reportedly said, “that I can get you to say more than two words.” To which came the swift reply: “You lose.”
President Calvin Coolidge is also said to be the last president to write his own speeches. He regarded them as his chief works of art, laboring over each word, cutting, molding. Presidents now have speechwriters — in fact, office holders down to mayor now have them. Candidates now answer to a dozen and more “chief strategists,” all of whom has a bright idea for what ought to be said and how. It all adds up to more, more, more, backed by less, less, less.
To America, this glut of language says: “You lose.”
Posted by bradrourke
While the majority of the words are ones that would — and should — get your children’s mouths washed out with soap, some are puzzling. “Colonial,” for instance, is on the list. Ditto “Canuck.” Many are chortling at the evident politically-correct overreach. The list evidently discourages workplace talk about Vancouver’s professional hockey team. Others are predictably angry.
The irony, of course, is that my accusation of hastiness was itself made rashly, and I paid the price in remorse.
White Men Can’t Talk
February 10, 2008There is a priceless moment in Oliver Stone’s unfairly maligned The Doors, when our heroes are prepping to go on the Ed Sullivan Show. They are met by a stage assistant, a real twerp, who informs them that, “The network guys have a problem with one of your lyrics. ‘Girl, we couldn’t get much higher.’” He goes on: ” You can’t say ‘higher’ on the network, so they asked if you could say instead: ‘Girl, we couldn’t get much better.’”
That dork’s use of the word “dig” in this context perfectly illustrates what often happens when mainstream folks try to appropriate street talk: they get it wrong, either by not understanding proper usage, or just plain sounding silly. While we play such things for laughs, they ring true because we see the same thing every day.
I remember a song by a milquetoast rapper named Vanilla Ice, called “Ice Ice Baby.” You probably remember it too. It’s your standard 1990′s fare, filled with braggadocio about the protagonist’s many fine exploits. I can’t help laughing when I hear some of the lines in the tune. Vanilla says he is “Rollin’ in my 5.0″ at one point. We all remember the angular 5.0 liter Mustang that was popular then. Vanilla spends three couplets on his “5.0,” with evident pride not just in its fanciness but also in his street cred for knowing such slang. Thing is, that’s not what the term “5-0″ meant at the time — it meant “police,” as in “Hawaii 5-0.” (Vanilla, whose real name is Rob Van Winkle, is a far more mature person now and a new crowd has come to enjoy his music.)
All this came back to me as the David Shuster saga unfolded. In an intemperate moment, our chalk-stripe-suited host says that Chelsea Clinton is being “pimped out” by her mom’s campaign.
This has generated a firestorm and Shuster is now suspended for uttering such a derogatory remark. For my part, I would have wanted to suspend him for not understanding the language he was trying to use. He pulled a Vanilla Ice.
Dig: “Pimped out” means “made very fancy,” as a stereotypical pimp might decorate something. There are overtones of exploitation, too, as in when something is “tricked out” — that is, made alluring enough for a trick.
What Shuster probably meant to say was that he felt Chelsea was being “pimped,” as in “exploited.” It’s a small slip, like Vanilla Ice’s slip when it comes to his car, but it matters. On its face, Shuster’s remark meant the campaign was dressing Chelsea up. In context, it was incoherent. In trying to appropriate so-called street lingo, he botched the job and made the same mistakes any foreign speaker makes when idiomatically out of their depth, with similarly hilarious results.
When I was in high school, I hosted an exchange student from Belgium. He fancied himself quite the Casanova, but most of my friends thought him the opposite. We taught him that the term “doughbrain” was our slang expression for “ladies’ man.” I regret it, now, as it was just mean — but, man was it funny at the time.
If I were advising my exchange brother now, I would say to watch out and double check what idiomatic expressions mean, because you might just wind up sounding like a real Newman.
I guess David Shuster could use the same advice.
ADDENDUM: Looks like I made a mistake, and relied on my recollection and the lyric sheet when it came to Vanilla Ice’s “Ice Ice Baby” — instead of re-listening to the song itself. He doesn’t say “five-oh” (which is what I remembered) but says “five point oh.” Commenters at Pajamas Media who have pointed that out are right. Kicking myself. You should, too!
They’re also right that it knocks a big leg out from under my point, but not entirely: Shuster sounded really silly saying “pimped out,” like a suit trying to talk street, and (this much I still maintain) misusing the term in that way.